London Drama News

'Rarely Cover'

Are your theatre visits with students or your INSET/CPD opportunities being restricted by the 'Rarely Cover' guidance? Do you have a view on the matter? If so we would like to hear from you on the London Drama Blog. Sign in to the LD Blog.


Borough Drama

Is your borough organised for Drama? Does it provide INSET or CPD courses? London Drama can support the development of initiatives and programmes for drama in boroughs. Please contact us if you would like more information. 
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School Support

If your school would like to develop drama training please contact us. We will advise on or provide active resourcing.


Youth Theatres

Get Into Theatre helps you find out about career opportunities, work experience, training and much more.


Conferences

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Theatre Applications: Performance with a Purpose

An International Conference
Wednesday 21-Friday 23 April 2010
Central School of Speech and Drama, Eton Avenue, London, NW3 3HY
More info


New Publications

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School Improvement Through Drama
by Patrice Baldwin

This new book by Patrice Baldwin is a guide to teaching drama effectively at KS1-3, along with advice for how it can be used for teaching and learning across the entire curriculum.

More info and/or buy here


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Teaching Primary Drama
by Brian Woolland

This new book by Brian Woolland is a comprehensive guide to how drama can influence and improve teaching in the Primary classroom.

More info and/or buy here


London Drama Members!

Get 5% discount on School Improvement Through Drama, Teaching Primary Drama and all London Drama books. Applies also to members of National Drama and English Speaking Board. Find out more

The Independent Review of the Primary Curriculum

The Independent Review of the Primary CurriculumLed by Sir Jim Rose, the final report was published on 30 April 2009. It includes the proposed programmes of learning that would make up a new curriculum and the Essentials for Learning and Life that will be developed throughout the curriculum. A copy of the report can be downloaded from this website by clicking the image left or at the DCSF website at www.dcsf.gov.uk/primarycurriculumreview.

Consultation began on 30 April and closed on 23 July 2009. The feedback will be used by the Government to inform final decisions about the primary curriculum. The consultation can be accessed at the DCSF website at www.dcsf.gov.uk/consultations.

Drama gets a clear mention in several places in the report. In Chapter 1, which is the summary with recommendations, under the heading Cross-curricular studies strengthen subjects we find the following paragraph:

27. Drama is a case in point. It is a powerful arts subject which also enhances children’s language development through role play in the early years and more theatrical work later, which can greatly enrich, say, historical and religious studies as well as personal development by exploring concepts such as empathy. Similarly, dance is a performing art which is equally at home in physical education, and both are enriched by music.

Recommendation 9 states:

Primary schools should make sure that children’s spoken communication is developed intensively within all subjects and for learning across the curriculum. In so doing, schools should capitalise on the powerful contributions of the performing and visual arts, especially role play and drama.

Chapter 3 is Essentials for Learning and Life. There are two paragraphs mentioning drama in the section on Speaking and Listening:

3.16. Although all subjects have potential for developing spoken language, some are particularly valuable in this respect. For example, the appeal to primary children of role play, and drama in its various forms, is often used very successfully to develop speaking and listening and leads to other worthy outcomes.

3.19.To strengthen language development, each programme of learning highlights explicit opportunities for children to develop and apply the full range of literacy skills. In the new curriculum children should learn to develop and apply their speaking and listening skills to suit a variety of audiences and for different purposes. They should tell and listen to stories and explore ideas and opinions in both formal and informal settings. They should have opportunities to express themselves creatively in improvisation.

At the end of the report is Annex B: Programmes of Learning. These pages give guidance to the actual content of the new curriculum.

Under Understanding English, communication and languages, the report states:

Children should read widely for pleasure and learn to become critical readers of an extensive range of texts. An explanatory note states These should include stories, poetry and drama, as well as film, media and multimodal texts which combine words, images and sounds. It also states Children should work with writers, playwrights and poets in and beyond the classroom.

There is a Curriculum Progression section, which gives early, middle and later statements.

In English and Communication - speaking and listening we find the mention of drama and role-play:

E7. to explore the imaginative use of language and the conventions of talk through role-play.
M5. to take different roles and make relevant contributions in group discussion and role-play M8. to convey action, themes and emotions through role-play and drama.
L5. to sustain different roles, deal with disagreement and vary contributions in group discussion.
L8. to identify differences between spoken and written language, both on paper and on screen, taking account of context, purpose and audience.

In Curriculum Development - Understanding the Arts we are told:

This area of learning includes art and design, dance, drama and music and teaches children how to use the arts to express their thoughts and emotions and empathise with others. Through the arts they develop original ideas, explore issues and solve problems.

There are no relevant “Early” statements.

"Middle" M12. to adopt, sustain and develop a range of roles for different purposes
M13. to use and develop a range of dramatic conventions.
M14. to create and perform in order to make and convey meaning.

"Later" L10. to create roles and devise performances that sustain characters, plots and intentions
L11. how facial expressions, body language, movement and space can communicate different emotions and characteristics of behaviour.
L12. to select and experiment with a broad range of drama conventions and forms for different purposes and effects.

It does seem that drama has been given a clear place in this report both as a discrete subject and as a cross-curricular tool. Hopefully this will be retained in the final form of the new curriculum after consultation is completed.

Coming up

 

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Frantic1

Physical Theatre with Frantic Assembly

led by Neil Bettles
on Saturday 13 March 2010: 10am-3.30pm
Venue: The Judi Dench Rehearsal Studio, The Unicorn Theatre, SE1 2HZ:  Map
More info.


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Care and Good Use of the Voice

led by Amanda Kipling
Tuesday 16th March 2010: 6.30-8.30pm
at Central School of Speech and Drama. Map
More info


Courses Survey

We are always keen to hear what drama courses you would like us to arrange for you. Please tell us at Courses.


Mapping Drama Practice

Take the Survey of Drama Practice: it will only take a minute


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Wanted: Edexcel Visiting Examiners & Chair of Examiners

Edexcel is recruiting Visiting Examiners for GCSE Drama

Joining Edexcel’s Assessment Associate Team offers an opportunity to gain greater insight into the assessment of candidates. If you are a qualified Drama teacher this will enable you to enhance your expertise within the classroom and will assist you in preparing your students for their exams.

Also recruiting for Chair of Examiners. For more details go to GCE Drama Chair.

For more information about the role, fees, benefits for either of the opportunities and how to apply, please visit: www.edexcel.com/aa-recruitment

Please quote London Drama Website as your source of information.